These connections to Christian mythology present the player character, Mobius 1, as an allegory for Jesus Christ, the sacrificial Lamb of God sent to eliminate the sins of the world.

The mission itself is referred to in-universe by the Independent State Allied Forces as Operation Judgement Day, referencing the belief in Judgment Day and the Second Coming of Jesus. 'Heaven's Gate' plays in the Mission Update where Megalith's central heat vent opens up. ' Rex Tremendae' plays in the cutscene immediately preceding the mission its lyrics are the eighth stanza of ' Dies irae', another Latin sequence used in Requiem Masses.

May eternal light shine upon them, O Lord: With Thy Saints forevermore: for Thou art gracious. Lamb of God, who takes away the sins of the world, grant them rest. The above Latin text translates to the following English text: Lux æterna luceat eis, Domine: Cum Sanctis tuis in æternum: quia pius es. The specific text used in 'Megalith -Agnus Dei-' is as follows:Īgnus Dei, qui tollis peccata mundi, dona eis requiem. The phrase 'Agnus Dei' is Latin for ' Lamb of God', a title given to Jesus as attested in the Gospel of John (specifically John 1:29: 'Behold the Lamb of God who takes away the sin of the world'). The Latin text commonly sung during a Requiem Mass, including Agnus Dei itself, has been used many times in musical arrangements. Auditory analysis indicates the lyrics were drawn from the Requiem Mass, a religious service for the souls of those who have died.

shows running tape, and a live rendition was used as a B-side for overseas singles. That version eventually made its way into the U.S., where radio stations, hungry for anything GNR at that point, added it to their playlists.'Megalith -Agnus Dei-''s lyrics have never been officially released. Rose dedicated the song that night to Jet Boy bassist and GNR entourage member Todd Crew, and it was at the Marquee where he improvised the ' hey, hey, hey' call-and-response that would become a signature of the GNR version. a western ballad transformed into The Indiana Book of the Dead' - was worked up during rehearsals for an upcoming British tour and played onstage for the first time on June 19 at the Marquee in London, where the band used it to try to chill out a rowdy crowd that was pelting it with plastic beer cups and the sort of body excretions more common at a punk show. The song, with a slightly bluesier and somewhat more menacing underbelly than Dylan's - Davis called it 'a gospel metal death chant.

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